The pale mists of the Cargo series, in their elegiac quality, hit the same plaintive notes as Emily Dickinson’s great meditation on the Summer’s end: the ephemeral sweet sadness implied in every twilight—
Photography
Richard Misrach: Desert Canto, The Flood
The official categorization of this magazine is “Science Fiction and Fantasy,” but that’s just a work-around. What really interests us is what the Surrealists called le merveilleux. In Breton’s words,…